Showing posts with label cs lewis. Show all posts
Showing posts with label cs lewis. Show all posts

Friday, March 1, 2019

Eugenic Monsters: Race and Disability in Out of the Silent Planet


"Our right to supersede you
is the right of the higher 
over the lower"

Professor Weston
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The Rise

Out of the Silent Planet is the story of a impoverished child with intellectual disabilities, Harry, whose life and liberty set to be sacrificed so mankind (the masculine here is intentional) may progress to a new stage of development or at very least make a lot of money for a few scientists and industrialists. That is the plan, until a foolish professor of philology, Dr. Ransom, saves him from the eugenic duo who are his employers turned captors. As a result, Dr. Ransom replaces the boy as the victim and thus adopts the adventure which was set forth as a disability narrative. Indeed, the author, C.S. Lewis, seems to put a lot of work into the first few chapters illustrating the similarities between the victim (Dr. Ransom) and his captors: all white cisgender heterosexual men of education from England during the waining years of its role as a colonial empire. The loss of an overt disability narrative comes in order to make a statement about eugenics: anyone can be its victim, even a tenured professor with no small degree of social and economic privileges. Yet we may all be challenged to speculate as to what the story would have looked like if Harry and not Dr. Ransom had been allowed to go on the journey. How would that change the narrative? 

The scientist (Dr. Weston) and his financial backer (Mr. Devine) live in a place called "The Rise" where they are working on the space ship which will bring them back to Mars (called "Malacandra" by the native peoples) and its rich reservoirs of gold. The name of the estate, "the Rise," signifies the philosophies of the partnership. First, they regard themselves as above other peoples in intelligence, social status, and worth for the species. In contrast to their great role in history as pioneer and proto-colonizers of Mars, Harry is expendable. The name, the Rise, seems to reflect the step ladder of evolution and intelligence that eugenicists used to designate some peoples as ideal and others as feeble-minded strains on humanity. Second, the pair seeks to "Rise" humanity out of its current state into a new condition. Promptly, they wish to turn humanity into an interplanetary and later interstellar species. In the long run, they hope to assist humanity in its evolution into a new kind of super-human humanity. Third, the Rise is the literal place where these space travelers will rise off the planet into the heavens. Beyond the name, the estate is closed off to the world by large fences and black-out curtains. Secrecy and exclusivity defines the location's functioning. As Lewis argues in The Abolition of Man, eugenics and similar applications of science do not benefit all humanity but only those portions of humanity that exclusively control the resources, tools, and use of the sciences. The secrets, wealth, and future that Mars may offer humanity will be collected, hoarded, and dolled out by the gate-keepers of The Rise who will capitalize greatly from their position. Even the interior of the house, which is described as sophisticate squaller reflects the personalities of people who regard themselves as very important but who do not attend much to the conditions or methods that seeking their goals produces. All the world might likewise be turned into a trash-heap if their important lives and work are allowed to continue.
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Hnau


Upon arriving on Mars, Dr. Ransom encounters a series of intelligent species, which are very distinct in form and society but which are all given the designation "Hnau" or "sentient." These encounters and reactions to the diverse peoples can be examined for the cultural and historical associations given to different traits on Earth. The first to be encountered are the Sorns, giant long-limbed feathered humanoids that Dr. Ransom flees. The philologist wonders at them being insect-like before he sees them. After seeing them, he describes sorns as giant or ogre like. Later he considers them like goblins. Finally, he settles on them being like angels or ancient philosophers. He fears them as hyper-intelligent and cruel aliens who seek to eat him. Only later does he come to know them as hermits, introverts, scientists, inventors, and sometimes shepherds. At this point, he gains a respect for them which never quite equals warm affection. Dr. Ransom however does become very affectionate with the Hross, a species of otter-like humanoids. He encounters one on the water and fears him as a giant beast. Once he hears the hross speak, Dr. Ransom jumps out and makes his first friend on Mars. Brought to the hross's home, he discovers them to be hunters, gatherers, crafts-people, warriors, and singers. It is among the hross that Ransom spends the most time and forms the greatest ties. Only near the end of his journey does Dr. Ransom meet the pfifltriggi who are frog-like industrialists, stone and metal workers who live underground in a highly organized matriarchal society. At this point, Ransom is open to recognizing the ways in which difference in body, temperament, and society do not equate to differences in intelligence or morality. All are different on Mars but all are equally hnau.


Learning to unlearn the eugenic patriarchal colonialist and white supremacist impulse to create hierarchies among peoples is one of the most prominent character arcs that Dr. Ransom undergoes while on Mars. At first, Ransom fears all creatures that are not like him. Second, he learns to see intelligence as it appears in other kinds of bodies. Third, he is corrected again and again when he tries to determine which of the three resident species on Mars is the superior ruling class. At this, Dr. Ransom finds that not only is his understanding of the facts incorrect but that he is importing a hierarchical way of organizing information and relationships. Fourth, Ransom comes to see the different forms of embodiment, intelligence, and society as equal in value even as they are distinct. Fifth, when he meets people of his own species again, Ransom sees humanity as perhaps less "Hnau" than the martians, coming to describe himself and his peers as broken or "bent Hnau." The peoples of Mars console Dr. Ransom by suggesting that it is perhaps the great homogeny of humanity, rather than its diversity, that has caused the desire to create hierarchies. On Mars, the differences between peoples were evident for countless generations and so an appreciation was ingrown for differences in body, mind, and culture. On Earth, they speculate, the fact that there is not a fundamental difference between Ransom and his captors, between Ransom and Harry, or perhaps even between people of different nationalities, ethnicities, genders, sexualities, and abilities spurs a desire to create artificial or superficial divisions and hierarchies between peoples. With some education or time spent on Mars, as Ransom has experienced, humanity might be able to better see all the members of the human species as equally "hnau."


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Code-Switching

Out of the Silent Planet begins and ends with a eugenic dialogue but whereas the initial speeches given by Weston and Devine go unanswered in the first case (largely because Dr. Ransom is incapacitated for much of it), the speech that comes at the end of the book is answered by wisdoms greater than the scientist. These dialogues function to frame the book, the majority of which is highly metaphorical and lyrical in its logics, with plain speech articulation of the themes and problems of eugenics. The ability for the scientist and industrialist to be answered in the second set of speeches is representative of the lessons that the protagonist and thereby the readers have learned on Mars. In fact, the long speech that Weston makes before the assemblies of Mars about eugenics, colonialism, and racial supremacy is literally translated to the martians by Ransom and thus de-coded for the reader as well. The translation exchange, with Weston espousing his rhetoric and Ransom giving the plain speech version, is a good example of close-reading exercises. Readers and students can learn the form and purpose of critical summaries and co-switching from these passages. For instance, the segments of Weston's speech are much shorter than the translations that Ransom gives because the latter does the hard work of unpacking key terms and explaining leaps in logic which the eugenicist makes implicitly. A class exercise might follow the same form or even use the same text, with students being given portions of the speech or similar passages from other eugenicists and then being tasked with taking on Ransom's role of translator. This would reinforce the lessons of the book and also give students practice in close-reading rhetoric and giving paraphrases which unpack rather than merely restating.


After a series of failed attempts at establishing dominance, based on tricks of European colonizers such as the presentation of beads, Weston launches himself into a speech with a few distinct threads that reflect the themes of the novel. The main speech consists of five segments followed by a question and answer with the leader of Mars. First, Weston tries to establish humanity's superiority with boasts based on modern western European nationalism, eugenics, and racial supremacy talking points: science, industry, weaponry, architecture and capitalism. Second, Weston makes the leap in logic that because of these cultural and technological advantages, he believes that his race was the inherent moral superiority. Third, Weston extends his logical leaps even further, claiming that life and evolution naturally position such a superior race above all other peoples, with Nature commanding one race to live and all others to die. Fourth, the natural supremacy of his race means that they are the destined rulers of all habitable or resource-rich lands, justifying not only world-wide colonization but interplanetary colonization. Fifth and finally, Weston asserts that the destiny of his race as the natural rulers of the universe is so absolute that not even his death will stop it. After each of these exchanges, Ransom translates the coded dog-whistle rhetoric into plain speech racism, sexism, colonialism, and ableism which also highlights the irrational leaps in logic and the logical inconsistencies. Following this, there is an exchange between the leader of Mars with Weston in which he deconstructs the primary figure which his speech claimed to represent: the race. The leader unpacks his claims and actions to show that it is not the form of the body, nor the possession of intellect, nor even the shared humanity which Weston loves in his idolatry of his "race" but rather the mere "seed" of his race which is insists must continue unabated. The leader then challenges his love this "seed" which Weston desires to be immortal with the stark reality that not only do all lives and all planets die but even genealogies of sees must die out. Is it not better, he implores, for living things to have the goal of living good lives rather than merely trying to live long lives?

Each of these points can be broken down as part of a class discussion or serve as themes by which the wider novel might be understood. The themes of the Rise, Hnau, and Code-Switching runs throughout the book's discussion of the peoples, the physical environments, and conversations. It could be a task to find these threads and give presentations that summarize how the book shifts from the Weston to the Ransom perspective by the end of the book, or rather, how Ransom's perspective shifts from aligning closer to Weston to finally taking on a martian point of view by the end.

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Tuesday, January 8, 2019

Queer Christianity: The Medieval Orientations of C.S. Lewis


"There is no safe investment. 
To love at all is to be vulnerable. 
Love anything, and your heart will certainly 
be wrung and possibly be broken. "


C.S. Lewis
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Course Overview

We live in a moment when the relationship between queerness and Christianity is being reconsidered and hotly debated. To better understand this debate, as well as the differences and potential common ground between members of the queer and Christian communities (including those who belong to both!), this seminar examines the history of Christianity and its relationship to queerness. Is Christianity a force for domination or liberation? Orthodoxy or creative multiplicity? Normativity or queerness? To answer these questions, we will read literature that explores how Christianity has both suppressed and in some sense created queerness, as well as how it has been reclaimed by queer communities. We will also look closely at how these historical tensions are being played out locally today. Special attention also will be given to the range of intersecting identities and communities that have responded to the meeting of faith and sexuality in various ways, drawing from diverse contexts of race, ability/disability, gender, and class. Readings include selections from the Bible, books about theology, and documentaries and memoirs attesting to the experience of LGBT Christians. In particular, this semester we explore the "Medieval Orientations of C.S. Lewis." In this four part course, we interrogate the long dialectical history between LGBTQIA persons and the Christian Church. At this intersection stands C.S. Lewis, a pillar of Christianity to be queered, as well as a representative of many queer medieval orientations towards gender and sexuality. So grab your copy of Mere Christianity and a pack of rainbow markers!

The seminar begins with a queer reading of scripture, focusing on key sections of the Jewish and Christian Bible which address gender and sexuality. We begin by considering the meanings and purposes of the Creation myths from Genesis I and II, as well as how God as Creator has been understood and represented within later Christian thought; such as the singing into being of Narnia and Middle Earth in the fiction of C.S. Lewis and J.R.R. Tolkien. What happens when we look as Creation not as a fixed made object but rather as a dynamic sometimes rhyming, sometimes dissonant ever changing song? Next, the books of Law are read within their historical and cultural context alongside the concepts of moral philosophy: are there true ethical ideals, natural laws which inform social justice, or true selves which deserve honor and respect? The person, preaching and practices of Jesus - from the sermon on the plains to his summation of the law and the prophets - will be added together in order to assess their implications for LGBTQIA persons. Finally, students will consider to what degree the legacy of Jesus in the Christian Church was affected by the various interpretations of the Apostles such as their Acts and the letters of St. Paul.

Following the eras in which scripture was being composed and compiled, we turn to the traditions of theology which have influenced how Christian churches have related to gender and sexuality. Influential early theologians such as Augustine and Aquinas will be queried and queered as they are put into conversation with various queer saints from St. Hildegard to St. Marinos and St. Joan of Arc. Modern queer theology will also be considered for its content and style, demonstrating how different theologians and eras approach questions of identity and embodiment in different ways. A running theme of this section is the philosophies of love and desire which run from Plato and Augustine to C.S. Lewis and Mr. Rogers. Next, the Queer Christianity seminar will move from Philosophy to Art and Literature to consider the ways in which afterlives figure into Church doctrine and into the LGBTQI community. How do trans women deal with the hells into which they are placed and imagined? Where does Dante locate queerness in his vision of Purgatory? How does Queer Christianity walk between the roads towards the shadowlands or to the bright country from C.S. Lewis's Great Divorce? The semester ends by leveraging the skills in exegesis, theology, and imagination against the institutions of ex-gay ministries in the films The Transformation, God Loves Uganda, and the Miseducation of Cameron Post.

Course Objectives

By the end of the course you will be able to

  • Think critically across multiple perspectives
  • Engage with thinkers who passionately disagree with you
  • Argue according to the dialectic method
  • Compose your thoughts in clear and engaging writing
  • Honor differences as important to propelling your thinking forward

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Selections from the Reading List


Queer Scripture

  • The Bible
    • Creation Myths
    • The Law
    • Jesus
    • The Apostles

  • Austen Hartke, Transforming: The Bible and the Lives of Transgender Christians, Westminster John Knox Press (2018), 978-0664263102
  • C.S. Lewis, Mere Christianity, HarperOne (2015), 978-0060652920
  • C.S. Lewis, Perelandra (Space Trilogy, Book 2), Scribner (2003), 978-0743234917


Queer Theology

  • St. Augustine of Hippo, The Confessions
  • St. Augustine of Hippo, The City of God
  • St. Thomas Aquinas, Summa Theologica
  • St. Hildegard Von Bingen, Primary Sources
  • St. Marinos the Monk, The Vita
  • St. Joan of Arc, Primary Sources

  • Barbara Sukowa (dir.) Vision - From the Life of Hildegard von Bingen, Zeitgeist Films (2011) 
  • Morgan Neville (dir.) Won't You Be My Neighbor? Universal Studios (2018) B07D591ST1

  • D.J. Lee, Rescuing Jesus, Ch. 8: Femmevangelical  
  • K. Lochrie, Heterosyncrasies: Female Sexuality When Normal Wasn’t 
  • M. Althaus-Reid, Queer God, Ch. 3: Trinitarians and God the Orgy 
  • Plato, Symposium on Love, “Aristophanes,”
  • Hedwig & the Angry Inch, “Origin of Love”   
  • C.S. Lewis, The Four Loves, HarperOne (2017), 978-0062565396


Queer Afterlives

  • Leelah Alcorn, Transgender Queen of Hell, Tumblr
  • Marguerite Bennette, Angela: Queen of Hel, Marvel Comics (2016) 978-1302900014
  • Dante, Purgatorio, Anchor Press (2004), 978-0385497008
  • C.S. Lewis, The Great Divorce, HarperOne (2015), 978-0060652951




(Ex-)Queer Ministries

  • Aiken and Aparicio (dir.), The Transformation (1996) 

  • Roger Ross Williams, God Loves Uganda (2013) 

  • Desiree Akhavan, The Miseducation of Cameron Post (2018)

  • C.S. Lewis, The Abolition of Man, HarperOne (2015), 978-0060652944

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Eugenic Monsters: A Seminar on Race and Disability


"Perhaps the immutable error of parenthood is 
that we give our children what we wanted, 
whether they want it or not. 
We heal our wounds with the love we wish we’d received,
 but are often blind to the wounds we inflict."

Andrew Solomon
Far from the Tree
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Course Overview

Why are monsters so ubiquitous in literature and art? How do they, and other literary villains and anti-heroes, reinforce cultural values and anxieties? Who or what are the monsters of our own cultural moment? In this seminar, we will explore the history and representation of monsters in western culture. Using Andrew Solomon’s Far From the Tree: Parents, Children, and the Search for Identity, well as other texts from disability, critical race, and post-colonial studies, we will examine monsters not merely as otherworldly creatures, but as figures that stand in for a wide range of "undesirables" and "others." This semester, we will concentrate on the themes of race and disability as they have been constructed by the philosophies and practices of eugenics, slavery, colonialism and freak shows. The very invention of race theory in the modern age hinges around eugenic beliefs in fundamental differences marked by skin color, facial and skull shapes, bloodlines, and aptitude. These theories created the concept of a “white race” and marked non-white races as inherently disabled, thus excusing and even endorsing the institutions of sterilization, extermination, captivity, colonialism, and exploitation. 

The first section of the course will concentrate on the wider concepts of eugenics as it came into being in the modern era. The benefits of technologies which offer power over your body will be connected to the racist and ableist philosophies which generated them. The genetic framework will then be interrogated throughout the rest of the semester through the film and book, Far From the Tree, which considers the relationship between parents and children, specifically those ways in which the fantasies of reproduction (preserving the purity of parentage) breaks down in the mutation, evolution, and divergent identities which arise among children who are born with Down's Syndrome, Autism, Dwarfism, and other conditions. This section ends with a science-fiction novel, Out of the Silent Planet, which imagines the eugenic and colonialist project in the context of space exploration in order to test the desire for genetic control against the joy of discovering the beauty of difference. The second section turns towards the way in which captivity in its various forms makes monsters out of the captors and captives, beginning with the animated film, the Hunchback of Notre Dame. The film Beloved follows up on the ways that slavery in the United States created trauma and monstrosity in the lives of formerly enslaved people, who experience this captivity still through the ghosts and isolation of a haunted house, representing the specters of slavery which live on across generations. The Green Mile follows the way in which slavery reinvented itself through the rise of the prison industrial complex which routinely caught men of color and people with disabilities in their cages, embodied by the film's central figure. Good Kings, Bad Kings explores how nursing homes adapt models of captivity from prisons and slavery, forcing people of color, poor populations, and people with disabilities into lives of abused isolation.

The third section the seminar concentrates further on the systems of colonialism which were already figured in the first two sections, carrying institutions of eugenics and captivity into Asia, the Americas, and Africa. Beginning with Animal's People, the book follows up on the ecological and human environmental consequences of global industries which introduce dangerous chemicals into the land and bodies of impoverished foreign countries. The film, Eclipse, from the Twilight series, considers the ongoing effects and consequences of colonization in the Americas through the monstrous figures and fighting of werewolves and vampires, each representing the native peoples of the Americas and the colonizers (at least one of whom fought on the side of Confederacy in the U.S. Civil War). Then the seminar turns to the world of Marvel super-heroes to contrast the film Black Panther -- which imagines an isolated nation in Africa that is free from colonization but also (seemingly) free of disability -- and the comic of the street-level hero Echo -- a native American woman with deafness who explores her place in the United States as a disabled colonized body at odds with the figure of Daredevil, a white American lawyer with blindness who literally represents the law of the colonizer. The final section of the seminar explores the history and legacy of the Freak Show. The film The Greatest Showman will be viewed alongside the book Bunk which tells the true histories of the scams and hoaxes which exploited and contributed to American racism and ableism in order to turn ethnic minorities and people with disabilities into profitable freaks. The racist, ableist, and transphobic effects of the Freak Show will then be considered in the way trans women of color are still exploited by sex work and conversion therapy which displays these pathologized, racialized, and queer bodies for a paying public. At the end of this section and the semester, we will watch the film Ray in order to interrogate the ways the blind man of color fought for personal liberation in an entertainment industry which sought to exploit him.

Course Objectives

By the end of the seminar you will be able to TEACH the course material:

  • Think critically across multiple perspectives
  • Engage with thinkers who passionately disagree with you
  • Argue according to the dialectic method
  • Compose your thoughts in clear and engaging writing
  • Honor differences as important to propelling your thinking forward

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Selections from the Reading List


The Monsters of Eugenics
Genetics, Mutations, and Diversity

  • Michelle Ferrari (dir.), American Experience: The Eugenics Crusade: What’s Wrong with Perfect?, PBS Distributions (2018), B07F83JZYF
  • Rachel Dretzin (dir.), Far From the Tree, MPI Home Video (2019), B07J356J56
  • Andrew Solomon, Far from the Tree: Parents, Children, and the Search for Identity, Scribner (2013), 978-0743236720
    • Including chapters: "Son," "Down's Syndome," "Dwarf," "[Intellectual] Disability," "Prodigy," "Crime," "Schizophrenia," "Deaf," and "Transgender."
  • James Tynion IV, Eugenic, BOOM! Studios (2018), 978-1684152063
  • C.S. Lewis, Out of the Silent Planet (Space Trilogy, Book 1), Scribner (2003), 978-0743234900


The Monsters of Captivity
Pariahs, Slaves, Prisoners, and Patients

  • J. Demme (dir.), Beloved (1998) (AW)
  • Frank Darabont (dir.), The Green Mile, Warner Home Video, B01GWCBR24
  • Trousdale and Wise (dir.), The Hunchback of Notre Dame, Walt Disney Animation (2002), B00005TN8K 
  • Susan Nussbaum, Good Kings, Bad Kings, Algonquin Books (2013), 978-1616203252
  • R. Garland-Thompson, Staring: How We Look
    • Including chapters: “Social Relationships” and "Beholding"
  • J.B. Bouson, “The Dirtied and Traumatized Self of Slavery in Beloved” (PDF) (2000)


The Monsters of Colonialism
Asia, Americas, Africa

  • Ryan Coogler (dir.), Black Panther, Marvel Studios (2018), B079FLYB41
  • Indra Sinha, Animal’s People, Simon and Schuster (2009), 978-1416578796
  • David Mack, Daredevil: Vision Quest, Marvel (2015), B016P0QCQE
  • David Slade (dir.), The Twilight Saga: Eclipse, Summit Inc./Lionsgate (2010), B0042MEQVG 
    • Twilight & Psychology, “Bella’s Motivations for Risky Behavior” (PDF)         
    • Twilight & History, “Alice and the Asylum” (PDF)      
    • Twilight & History, “Jasper Hale, the Oldest Living Confederate Veteran”        
    • Twilight & Psychology, “Prejudice in Twilight” (PDF)
    • Twilight & Philosophy, “The Moral Hazards of Being Edward” (PDF)
    • Twilight & History, “Why Team Jacob Is Doomed to Lose” (PDF)       

    The Monsters of the Freak Show
    Differences, Hoaxes, and Exploitations

    • Taylor Hackford (dir.), Ray, Universal Pictures Home Entertainment (2006), B000FVQLRU
    • Michael Gracey (dir.), The Greatest Showman, 20th Century Fox (2018), B077R2WHSB 
    • The Transformation (1994)
    • Eli Clare, Exile & Pride: “The Mountain, Freaks & Queers”
    • Janet Mock, Redefining Realness, “Ch. 15-17"
    • Kevin Young, Bunk: the Rise of Hoaxes (AW)

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